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Also theres a hefty amount of RAM installed a dedicated graphics card and at least a dual-core processor if not a quad-core. The definition of graphic design is expanding as new technologies grow. Skilled graphic designers solve visual communication problems or troubles. Proficient in design drawing color typography production and rendering methods off-set printing as well as common software used in the graphic-design market such as Photoshop Illustrator and InDesign are necessary. With the development in new media a comprehension about photography and time-based and interactive media including film video and computer multimedia also are of great importance to keep abreast of technology. Although graphic-designers find solutions primarily for print advertisements annual reports packaging business stationery brochures flyers catalogues logos and just about anything you can think of to help businesses stand out their design "eye" is also used in electronic media sources such as video and audio recordings multimedia presentations slide presentations CD-ROM and website content.
Thus computers have become indispensable tools and with the advent of hypertext and the web its functions have been extended as a means of communication. In addition the technology also has been noted with the rise of telecommuting and special crowd sourcing has begun to intervene in work arrangements. This change has increased the need to reflect on time motion and interactivity. Even so the professional practice of design has not been essential changes. While the forms of production have changed and communication channels have been extended the fundamental concepts that allow us to understand human communication remain the same. Job performance and skills The ability to design is not innate but acquired through practice and reflection. Still it remains an option one thing potentially.
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Another important element in relation to professional practice was the increasing use of visual form as communication element. This item appeared mostly in the designs produced by the Dada and De Stijl. The symbol of modern typography is the sans serif font or serif inspired by industrial types of the late nineteenth century. Highlights include Edward Johnston author of the font for the London Underground and Eric Gill. Design Schools Jan Tschichold embodied the principles of modern typography in his 1928 book New Typography. He later repudiated the philosophy presented in this book calling it fascist but remained very influential. Herbert Bayer who dirigó from 1925-1928 the typography and advertising workshop at the Bauhaus created the conditions for a new profession: the graphic designer.